Don't Miss An Opportunity to Explore Social Justice Through Art!

 

THE GALLERY
524 West 59th Street
Room L3.64


PRISONER ART FOR SOCIAL JUSTICE
September 10 –October 19, 2012

The artworks in this exhibit are from Art for Justice, a Pennsylvania non-profit organization co-founded by Ann Marie Kirk and Graterford prison inmate Charles H. Lawson. Art of Justice supports prisoner art to stimulate dialogue on way to prevent crime, reduce levels of incarceration and find humane an effective ways to improve the criminal justice system. Featured in the show are paintings by 11 artists from the Graterford and Greene State Correction Institutions in Pennsylvania. The exhibition spans a broad range of art media from traditional oil, acrylic and watercolor paintings to one painted with coffee and one with makers and toothpaste.


EXPRESSING THE SOCIAL CONSCIENCE
October 29 – January 28, 2013

To coincide with the NY Print Art Fair, Oct. 29-Nov. 14, 2012, Expressing the Social Conscience: Art Prints and Human Rights will feature fine-art prints dealing with issues of human rights in order to demonstrate the rich variegation of the medium but also to convey the immediacy of their social message. Human rights issues are the most appropriate themes for this medium because the print has been historically used to reach the greatest number of people.


SOCIAL REALISM IN THE U.S
February 11 – May 3, 2013

Co-sponsored with ACA Galleries, this exhibition will feature the art of the 1930s and 1940s of such canonical American political artists as Ben Shahn and Jacob Lawrence. Social Realism refers to a group of politically and socially conscious art works often of urban subject matter that were intended to highlight social problems and attack injustices within society.


HISTORY! HAUNTINGS AND PALIMPSESTS
May 17 – September 17, 2013

This exhibition of the art of John Jay's world class art faculty comprises two clusters, 1) Haunted Histories is composed of artists whose work that deals with historical events and social issues, i.e. Visani's work quotes from traditional African sculpture and reinterprets the history of slavery in the Unites States; Ming's work is a poetical, if nightmarish, evocation of the Nanjing massacre. 2) Palimpsests is comprised of artists that work abstractly on many material layers. i.e. Pangburn's painting involves many layers of superimposed colors; Bilsborough's draws on both sides of translucent paper exploring the relations through what is under and over the surface.


WOMEN CALL FOR PEACE: GLOBAL VISTAS
October 1 – December 10, 2013 (Subject to change)

This exhibit presents the works of a formidable group of thirteen world renowned artists of Christian, Jewish, Hindu, and Muslim heritage whose art is unsurpassed in its eloquent disavowal of violence of all kinds. While women are rarely the perpetrators of violence, they suffer its devastating effects nonetheless and, thus, must share responsibility for ending violent human conflict. The distinguished artists featured in "Women Call for Peace" (currently touring and organized by the Mid-America Arts Alliance) share a commitment to the unique power of art to sensitize and inform audiences about this compelling problem. In this new millennium—an age that has held the promise of global interconnectedness—the penchant for conflict and the need for resolution has never been more evident. Artists include Lebanon-born, Helen Zughaib, MacArthur Foundation "genius" award winner, Aminah Robinson, and other world-class artists including Judy Chicago, Flo Oy Wong, Sionia Benjamin, and Faith Ringgold.


 

PRESIDENT'S GALLERY
899 Tenth Avenue
Sixth Floor


JILL FREEDMAN: STREET COPS
September 13 – October 26, 2012

The vintage photographs in this exhibit are from the famed collection "Street Cops" photographed in the late 1970's by award winning fine-arts and documentary photographer Jill Freedman. Her gritty, in-your-face images of street cops on the job 30 years ago capture a long lost "cop" persona that is very different from the one we are accustomed to today. This was the period when Times Square was best known for its prostitutes, scam artists and porn palaces. This was the age of the 70's blackout and subsequent rioting, when New York was allegedly "broke" and drugs, crime and homelessness were rampant. This was the New York that Freedman captures so vividly.


THE END OF POVERTY
November 13 – January 25, 2013

Co-sponsored by the United Nations International Center for Integrative Studies (ICIS), this exhibit will feature the winners of a multimedia art and writing competition in response to the question: "The End of Poverty: What Would It Look Like and How Do We Get There?" CUNY students have been invited to submit a work of art and an accompanying essay exploring solutions to poverty. Winning students will receive an educational stipend and student access to the United Nations for one year.


SOCIAL REALISM AND ITS LEGACY
February 11 – May 3, 2013

In collaboration with Chelsea's famed ACA Galleries, this exhibition will feature some of Americas most renowned political artists, such as William Gropper and Romare Bearden, whose works reflect the age of Social Realism and political engagement in art of the 1930s and '40s.


CARIBBEAN BASEBALL STADIUMS AS SITES OF FAIRNESS
May 17 – August 30, 2013

An exhibition of fine arts photographs revealing the role of baseball stadiums in Puerto Rico, the Dominican Republic and with special emphasis on Cuba as metaphors for the meaning of justice and fair play.


PASSAGES: AFRICAN MIGRANTS & THE REINVENTION OF THE BLACK DIASPORA IN EUROPE
September/October, 2013

In conjunction with the African Studies Program at John Jay College and NYU, the gallery will present a photographic exhibition on migrations and immigrations. These works of art are created by award winning photographers, photo-journalists, and human rights activists all over Europe. We also included selected photos courtesy of agency Fotogramma (Milan) and AGNfoto (Naples). Their remarkable photographs capture Europe's postcolonial residents – old and young, male and female, healthy and disabled, Pentecostal Christians, Coptic Christians and Muslim Murid, as they negotiate their citizenship within and against multiple political and cultural spaces. Vivid, intimate, and often unexpected, these images portray the many ways in which Africans claim migration and communal recreation as fundamental human rights. The exhibition also consists of installations of African working migrants and artists, antiracist campaigns and protest songs which illustrate the advocacies of Africans and Civic organizations in Europe.


OF HUMAN BONDAGE
November-December, 2013

Exhibition of photographs and multimedia works decrying human trafficking.